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| 1. Final Draft 7 | |
![]() | list price: $289.99
our price: $199.99 (price subject to change: see help) Asin: B0001XNGZ2 Catlog: Software Publisher: Final Draft Sales Rank: 186 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Features Reviews (16)
That gripe aside - and it's a really significant one - everything else works very smoothly. Because of this issue, I would recommend Screenwriter 2000, which does everything that Final Draft can do, and doesn't have any issue with its ability to render fonts cleanly. In addition, screenwriter 2000 has a more useful suite of associated products, notably: Dramatica 4 pro and Storyview 2. The tech backup is superior, too.
HOWEVER - I recently upgraded to FD7, and it's a mess. It implemented new features in such a way as make them impractical in daily, minute by minute by use, while simultaneously dumping several genuinely useful features from previous versions. It's been through two patches since it was released already, and it's still clunky, bug ridden, crash prone, and less usable in practice than the previous version. If you are a first time buyer, I'd recommend delaying your purchase for at least six months till they sort out the bugs (assuming that's possible), or consider buying another of the many products available, e.g. Screenwriter or Sophocles. ADDENDUM: I'd also recommend you read some of the reviews on this site with a pinch of salt - there are a couple that I would consider suspiciously glowing. There's nothing to stop someone from the manufacturer adding a review, is there...?
Edit: I hereby redact the rest of my review. I still think the program could use some polish on a PC...but my previous ire was more from ignorance than the program itself. It ain't so bad.
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| 2. Niles Endnote 8.0 Windows | |
![]() | list price: $299.95
our price: $169.99 (price subject to change: see help) Asin: B0002ER3GI Catlog: Software Publisher: Niles Software Sales Rank: 825 US | Canada | United Kingdom | Germany | France | Japan |
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Features | |
| 3. Final Draft 7/Syd Field's Screenwriting Workshop DVD Bundle | |
![]() | list price: $249.99
our price: $219.99 (price subject to change: see help) Asin: B0001XNKP8 Catlog: Software Publisher: Final Draft Sales Rank: 332 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Features Reviews (1)
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| 4. Movie Magic Screenwriter | |
![]() | list price: $249.99
our price: $146.99 (price subject to change: see help) Asin: B00005V7FW Catlog: Software Publisher: Write Brothers Sales Rank: 689 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (7)
Movie Magic pops the cursor around the screen after an operation. It also has these windows 3.1 looking interface windows. The speech system is too dependent on windows and not self contained like Final Draft. True, there is more customization with Movie Magic... but I like Final Draft MUCH better. Run them next to each other and u will see. Mike
Compared to Final Draft Movie Magic's formatting simply looks cleaner - with more accurate and useful spacing, sluglines, and transitions - and is far easier to use. Now this doesn't mean it will teach you how to write or what to write, but it does mean what you do write will at least look good. Minor problems I've had and things that could change for the better...Screenwriter is a tad unstable with Windows XP and occasionally crashes at start-up (although I have yet to lose a file because of that). Some of the production tools - like scene numbering and CONTINUEDs - are buried deep in the program and not the least bit easy to get to. Also they still have annoying and non-standard formatting in there sluglines and transitions. For instance you can select Continuous and Moments Later for a time portion of your slugline. Any oen that works in production knows that there is no Continuous or Moments Later. Simply either DAY or NIGHT. For transitions they still have CUT TO which is no longer used. Aside from those minor things Movie Magic is an excellent script writing program.
That is a stretch. I had to get a tech guy to load the program and then it really is not walking me through the "how to" part of script writing. Just be prepared to spend some time at the beginning.
Finally, I decided to break down and buy scripting software. But before deciding on which one to buy I did a little research on the titles that were currently available. I wanted to make sure I got the best product for the right price. What ultimatly sold me on Movie Magic Screenwriter 2000 was that both the Writers' Guild of America and Project Greenlight both recommend this software. One of the claims made by the software company is the ability to get up and running right out of the box. I found this to be--for the most part--true. Upon receiving my copy, I was entering my first script in about 30 minutes (including installation time). There are some things that you may need to know, but the software company was intuitive enough to add booklets that contain this information in it so that you didn't have to hunt through the manual. There are also a nice collection of templates included with the software that allows you to write for both movie and television (like I do). The templates for the TV shows comes in many different flavors (Sci-fi, sit-coms, dramas, etc.) and are even set up in the format used by several different shows. What I especially appreciated was the fact that Screenwriter 2000 kept track of the names of my characters. I used to have to do this on scratch pads and Post-It notes or I would have to read back in the script to find a name. In Screenwriter 2000, I can call up a list of names to find the one I'm looking for. I'm able to do the same thing with scene heading, so I can keep my scenes in a consistant format. Since I post some of my work on Zoetrope.com for review by other writers, the fact that I can create an Adobe file (.pdf format) was also of importance to me. While I could use a translation program to turn my Word document into an Adobe file, such translators have their problem and don't always retain the format that you created. With Screenwriter 2000, my Adobe documents come out looking the same as the original file. But this feature wasn't as intuitive as I had thought it would be. I was expecting this feature to be a part of the file exporting system. Instead, it's part of the print function. (You "print" a .pdf file.) While there are a lot of pros about the software, there were also several cons, which is why I only rated it four stars. One is that this software is set up to installed on both the Mac and the PC from the same box. Becuase of that, they designed the user manual to address both opperating systems by printing it as a flip book. (One side has the instructions for the PC--flip the book over--the other side has the instructions for the Mac.) This means that the index is in the center. If you use an index as often as I do, plan on placing a bookmark there. Another problem is that not all of the features available to the PC user is available to the Mac user. As of this review, only one feature--the Storyboard Linking--was not available on the Mac. However, this should be of little consiquence to the average user (unless you're a professional writer in Hollywood with a Mac). Finally, one feature that was touted to me time and again was the voice readback capability. By using a Text-to-Speech engine, you can have your script read back to you, even to the point of assigning different voices to the different characters. It took a little effort to get this feature working on my PC, and when I did it sounded like a room full of Stephen Hawkings reading my screenplay. Still, as softwares goes, this is possibly the best product out on the market.
Great paper tutorial and a reasonable price for this type of program. ... Read more | |
| 5. Final Draft 7/Final Draft AV2 "Scriptwriter's Suite" | |
![]() | list price: $349.99
our price: $274.99 (price subject to change: see help) Asin: B0001XNKOY Catlog: Software Publisher: Final Draft Sales Rank: 2264 US | Canada | United Kingdom | Germany | France | Japan |
| 6. Dramatica Pro 4 | |
![]() | list price: $269.99
our price: $189.99 (price subject to change: see help) Asin: B00004TYCR Catlog: Software Publisher: Write Brothers Sales Rank: 1538 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Review Getting started in Dramatica Pro as a beginning user is intuitive and easy. In the StoryGuide segment, there are three levels of story forming, and we tried out the most advanced (which is estimated to take three to four days of work). Dramatica Pro comes with 32,768 potential "storyforms," all of which incorporate structural, thematic, and dynamic elements of your story. After answering about a dozen of the multiple-choice Dramatica Query System questions, we were able to decide on one storyform. For those that choose not to pursue the multiple-choice route, there is also the Story Engine, which allows for a more holistic and freeform method of sketching out your basic story. One thing you'll notice right off is the unique language of Dramatica Pro. While many terms--motivation, pursuit, antagonist--will be familiar to most writers, there are a number of terms that are used in specific relation to Dramatica Pro's capabilities. Fortunately, at each stage of the story-creation process, there are a number of help buttons (such as Explain, Theory, Usage, and Context) that provide further definition of terms and their usage. And after a few sessions, we found ourselves thinking about "signposts," "journeys," the four "throughlines," and other features that bring a story into focus. Dramatica Pro's main desktop is the portal for allstory-building activity. Its 12 tiles present users with options for developing just about every aspect, from character creation and polishing, to plot-progression charts and reports on your progress and story. Because Dramatica Pro does not try to be a word processing application, every nook and cranny is filled with developmental prowess to help hone your skills while discovering your story. One aspect of the application that we appreciated was the opportunity for writer growth. After becoming familiar with the application's interface, we were able to use Dramatica Pro's Story Engine and Story Points to access our story's "master controls" without all the exposition and explanation. Also, Dramatica Pro offers a Brainstorming command that allows the program to intelligently tweak your storyform into something new should you experience writer's block. Overall, Dramatica Pro is a great resource for writers. By enabling you to focus more on your stories and less on the mechanics of storytelling, you'll feel empowered to try new things and explore your creativity. --Emilie Dirks Reviews (21)
If the idea of following the dramatica story model still seems formulaic to you, you are free to tweak it or change it as much as you want, or even use it's best ideas to form your own model. The point is that a sophisticated model produces a sophisticated story. The software is actually quite easy to use. The hard part is learning the model, because it is quite sophisticated. It will take a few weeks to get it, and probably a couple of tries to make it really work well for you. You can also get help from the community of dramatica users on the internet, who are supportive and friendly. If you're the kind of author to employ both a creative and analytical side to your craft, you will learn to love this tool. You'll hate how hard it makes you work, exploring every nook and cranny of your story in new ways, but you'll love the result as it pushes you into forming characters and plot rich with dramatic tension, thematic development, and thorough development of your story.
Using its own terminology allied to templates, the user is required to fill in a set of questionnaires, which act as the input from which their story is distilled. This can be amended at will if the user feels that they are being too boxed in. The end result is more easily managed than stacks of cards and papers. It can also be easily shared with other Dramatica users by distributing files across the internet to each other (given that version sync isn't an issue). It's like having a collaborator in front of you all the time - if needed - with regard to the structure, but won't be of any help with poor prose, prose-style, bad dialogue, lack of motivation or any other essential aspects that the writer would need to know about. A badly written story, which is bang-on structurally, as far as Dramatica is concerned, is not a useful end product. In other words, the user would need to be a decent writer in the first place, using Dramatica as a tool to refine and focus their work, and not regard it an easy way out. It's not. So bearing that in mind, Dramatica shouldn't disappoint so long as the user is prepared for the discipline of story writing, in its strictest sense.
Progress was slow to begin with, mostly because one needs to be patient and go through it all, ( a few times) in good order, to avoid getting mightily confused, since a great deal of the explanation is often another way to convey what is already known - sort of - from many other sources. So it needs to be taken all as a piece to make satisfactory progress. Which makes sense, because the Dramatica application is a self-contained system, with its own terminology, which responds to your accurate and considered input to a set of inter-related questions about the characters, plot, motivations, outcomes, etc. The accuracy of your answers is an important to the result, so clear thinking has to be applied. I'm far from hero status with Dramatica, but have found its use to be extremely helpful because it makes me THINK about what I am writing about. It doesn't write the piece for me, or box me in, in any way, as others have suggested it does. In conclusion, I am very satisfied with Dramatica and how it has improved my writing. It's also good to be able to discuss and share files with other users ( internationally), who are all pretty much on the same wavelength, which avoids/minimises having to navigate different terminologies and approaches.
By this I mean, that to convey the principles of Dramatica the prior art examples are either too archetypical with no real requirement for the use of Dramatica by those who intend writing such archetypes, or are too flawed so that they do Dramatica no favours due to them being little more than the nearest point of common reference. But by treating Dramatica as a philosophy and an abstraction, and not using it to see how prior art can be aligned to its principles, one can quickly see how Dramatica will enable the writer to create stories and forms hitherto unattainable, simply because the organisation of the story's elements and form would have been too difficult to keep track of. Therefore, in order to get the desired results from using Dramatica, the user has to gain expertise in the way of defining and structuring a story's elements with Dramatica, and not be trying to defend the outcome on prior art which is a close call. This is the hard part to Dramatica, since ideal prior art probably doesn't exist, from which to refer, except for the possibility of future works skilfully created with Dramatica. Now there's a chicken or the egg paradox. ... Read more | |
| 7. Writer's Dreamkit 4 | |
![]() | list price: $59.99
our price: $34.99 (price subject to change: see help) Asin: B00004TYC7 Catlog: Software Publisher: Write Brothers Sales Rank: 273 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Review You'll get started with the StoryGuide: the central location for establishing your "storyform" and structure. You can work with the StoryGuide either directly or by creating scenes, but either way, the creative work done in this portion will be tracked and available in all other parts of the application. For the fastest route, you can start with one of three structure templates: novel, screenplay, or short story. In these templates, the essential characters are already created. Using these in conjunction with the StoryGuide gives a writer both efficiency and flexibility. One of the strongest features of the StoryGuide, however, is the Dramatica Query System. This system offers aquestion and answer approach to storyforming, and allows you to focus on one element, relationship, or idea at a time. In the DQS, the questions may be very straightforward or somewhat indirect; regardless, newer writers will appreciate the help buttons that appear for each question, offering an explanation, the theory behind the question, usage, illustrations, definitions, context, and story examples. If aquestion and answer bombardment or too much structure is not your thing, you can find relief in the Story Engine, which offers a more holistic and freeform approach to identifying your storyform. The Story Engine does lack help, which makes it more suitable for experienced users, and also looks somewhat daunting on the first few uses. However, it also is the quickest way to get to your underlying structure. While the Writer's DreamKit is somewhat linear in progression, there are many opportunities to diverge from the standard path. You can create characters, one of the most enjoyable parts of the creative process, at any time. You'll do more than just assign a name and a few stock attributes: you'll build your people from scratch (or from a template) and instill in them the complex characteristics that will guide them through your story. If you've never taken a creative writing class or are looking to refresh your skills, the Writer's DreamKit definitely offers a great foundation for structuring your story. However, it's still up to you to write your great American novel or the next box office hit. --Emilie Dirks Reviews (21)
I would reccomend trying Storycraft instead, which I found to be helpful and user intuitive.
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| 8. Hollywood Screenwriter | |
![]() | list price: $59.99
our price: $36.99 (price subject to change: see help) Asin: B00004TYC4 Catlog: Software Publisher: Write Brothers Sales Rank: 918 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Review The only keys a writer needs to move between script elements in this program are TAB, ENTER, and (. Since scripts have a logic and order that's fairly standardized, the program can intuit what's next, placing time of day after scene headings or formatting for dialogue or a parenthetical after a character's name. This is a less-complicated program than some of the more expensive screenwriting programs out there, but it doesn't do as much as those other offerings either. Hollywood Screenwriter is designed for writing spec scripts: speculative screenplays designed to get the attention of stage or screen producers. This program will help you format your script correctly, ensuring that it won't get tossed out based on appearance. But if someone decides to produce your masterpiece, you won't be able to make a production script with this program. Then again, if that happens, you might feel flush enough to go buy one of those spendy programs that does A and B pages. No other place clings to dated stereotypes of how things are done quite like Hollywood does. Included in Hollywood Screenwriter's instruction manual are painstakingly detailed instructions on how to assemble a script correctly. Which begs the question: Are there really people out there who would reject a possible Oscar winner because it's not punched by a three-hole press and bound by two solid-brass Acco No. 5 brads? --Anne Erickson Reviews (11)
You do need to download the latest updates from Screenplay Systems, especially if you are using Windows Me, 2000 or XP (othewise you might get an "Error 32 Message"). You should also look at the new spec script formats that can be downloaded from Screenplay System's web site. They allow you to stop using Character CONT'Ds in your scripts, as this is becoing outdated. Hollywood Screenwriter doesn't have as many export options as its bigger brother, Movie Magic 2000, but it *does* have RTF and ASCII, which means it should interact with just about any Windows word processor or Screenplay software. For the price and features, Hollywood Screenwriter is a great program. Check Screenplay System's comparison chart for feature differences between it and Movie Magic 2000 before buying, but there's a good chance that if you are writing a spec script, Hollywood Screenwriter will do the job.
I somehow missed the part where either the free trial did not allow saving or if it did, I didn't understand how to do it. I had no problem whatsoever using Hollywood Screenwriter, it was easy to understand right from the start. But the deadline to enter the contest at Project Greenlight was only one more day away and there I was, stuck with a screenplay that I could not save to the required .pdf format. I got in touch with Tech Support and these guys were absolutely wonderful and supportive of me. They emailed back and forth with me for half the night, trying to figure out how to get my script to .pdf format. They finally hit on the idea of saving my script to .rtf then going to Adobe for their free conversion to .pdf. Although the Adobe conversion alters page breaks, that's not Hollywood Screenwriter's fault. I will never forget how nice their Tech Support was and how much effort they put into helping me and I was only using the free trial version! There are many companies out there who wouldn't go to all that bother even for their paying customers. If there is any part of this software's interface that you don't "get," or if you have any problems at all, be assured that their Tech Support will go to any lengths to help you. I wouldn't worry about the interface, though. As I stated, it is very easy to use, very quick to learn. Not having to worry about formatting really frees up your creativity. I do recommend this product.
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| 9. Movie Magic Contracts | |
![]() | list price: $119.99
our price: $94.99 (price subject to change: see help) Asin: B000055ZO2 Catlog: Software Publisher: Write Brothers Sales Rank: 1442 US | Canada | United Kingdom | Germany | France | Japan |
| 10. StoryView 2.0 | |
![]() | our price: $199.99 (price subject to change: see help) Asin: B0001XE0QG Catlog: Software Publisher: Write Brothers Sales Rank: 1404 US | Canada | United Kingdom | Germany | France | Japan |
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| 11. Final Draft 6.0 and Syd Field's Screenwriting Workshop DVD combo | |
![]() | list price: $219.99
(price subject to change: see help) Asin: B00008IAO8 Catlog: Software Publisher: Final Draft Sales Rank: 2934 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (23)
Final Draft 6 does it all the formating for you. A function called "SmartType" finishes off character names for you, so you don't have to keep typing in names. This is wonderful when you have two or three characters talking to each other in a string, so you can quickly type the conversation, as if it were going on in front of you. When I transferred my previous screenplays into Final Draft, it took about an hour or so to reformat a 106-page document correctly. Final Draft was able to interperate about 80% of the formatting correctly, getting confused on mostly transitions and telling the difference between some scene headings and actions. Although, it knew exactly what was dialogue just by where it was placed in the word document, which I thought was remarkable. Some of the templates for actual T.V. shows are a little silly, but they serve their purpose: giving you the raw format for a certain show, which can vary greatly depending on the series. If you have your own show you've created, you can save a blank document with the initial beginings of the script as a template and be able to have a fresh document ready for your next episode. Final Draft is a great purchase for the novice screen writer learning the format, and a wonderful time-saver for the somewhat-established to established veteran.
The big issue: Onscreen text looks atrocious. After a year on the market, Final Draft 6 still doesn't use Mac OS X's technology to render beautiful anti-aliased text. Third-party fixes, like Silk, work only halfway to solve Final Draft's shortcomings. But should an application that costs $ need fixing at all? Unacceptable. And beware of WYSIWYDG, or "What You See Is What You Don't Get." You might find the perfect font in the Font Menu, but good luck applying it to your screenplay. Worse, there are occasional text hiccups, where the text-rendering is garbled and screen redrawing is skewed. 'Authorization' remains a nuisance, too. (Bet you didn't remember to 'deauthorize''before a system reinstall or upgrade.) I know of no other software that requires such an unwieldy process just to stay running smoothly. Final Draft 6 is still better than a typewriter or a standard word processor for writing scripts, but not by much. Considering the steep price, maybe it's time to revisit the competition.
I am a VERY basic computer user and feared formatting software would be nothing short of a nightmare, but within a month I formatted three one-hour teleplays, started on a screenplay, and knew how to navigate the software fairly well. The Smart-type feature is a lifesaver, and the various view, outline, and report features are incredibly helpful and save loads of time. There are a few features that were more complicated to learn, and as an absolute novice I had some questions that I couldn't find answers for in the program, but overall - I'm thrilled with it and use it everyday. I'd recommend this software to anyone, rank amateur or paid professional ,who's looking for a user-friendly, helpful, and reliable formatting system.
Don't mess around with other programs. This one is the one to use. ... Read more | |
| 12. StoryView 2.0 | |
![]() | list price: $99.99
(price subject to change: see help) Asin: B00007K3A7 Catlog: Software Publisher: Write Brothers Sales Rank: 2945 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Features Reviews (2)
Es interesante utilizar StoryView tanto para la creación como para el análisis. Determinado guión de una película que hayas conseguido puedes dividirlo en escenas, secuencias, actos, etc. De manera tal de tener un mapa general de la disposición de la obra. Si conoces algún modelo narrativo, puedes diseñar una jerarquía y aplicarla -como plantilla- a tu narración, como el de Joseph Campbell/Christopher Vogler, o el tradicional de tres actos de Syd Field. O puedes crear tu propia estructura, que es lo que hago cuando escribo narraciones literarias. Las unidades, se «crean» solos. Capítulos, eventos, secciones, actos, episodios, etc, lo que desees. Lo interesante es que el software se adapta plenamente a las ideas del escritor, se amolda. Puedes ordenar tu narración en un solo nivel, o bien en varios, como las capas o layers de Photoshop. Tiene dos vistas, la Outline Window, que se asemeja mucho al "Documento maestro" de Word; y la otra, la TimeLime Window es como la marca de fábrica de Storyview, que es la vista de la disposición de tu narración, en unidades de tiempo, página, minutos, o lo que se desee. Puede importarse y exportarse documentos txt, rtf, en formato Movie Magic Screenwriter y otros. Lo único que le falta, a mi juicio, es un sistema multiplantilla, en el que uno pueda ajustar o aplicar determinada disposición de estructura a la historia, ejemplo, aplicar el modelo Joseph/Campbell, el tradicional, el de Dramatica, alguno personal, así como cuando uno aplica diversos filtros a una imagen RGB o CMYK, con cierto nivel de "transparencia" o "opacidad". Es decir, tenemos dos coordenadas, 1)tiempo y 2) unidades narrativas. Podría añadirse -opcionalmente, claro- modelos narrativos. De este modo, quedarían cubos tridimensionales, en lugar de rectángulos, lo que daría una mayor flexibilidad creativa a nuestro trabajo. Así como también, incorporar un diagrama de tensión dramática semejante al que posee el Power Structure. No creo que sea mala idea y espero que la gente de Screenplay Systems o Write Brothers ya haya pensado en algo así para la versión 3.0
It requires little computer experience beyond the basics of word-processing, and any work created can easily be used elsewhere or delivered electronically to a StoryView equipped collaborator, etc. Try doing that with a loaded pasteboard. Any work can also be printed out and stuck on the wall, if so desired. The Outline View is very useful, it listing all the events and hierarchies in a single column, which can be added to in the usual cut, copy, and paste fashion for text, and for the addition or deletion of events by right clicking, etc., (in windows), or by way of the menu bar. The toolbars and toolbar views are very customisable, allowing a lean and mean Outline View display, and a fully loaded Timeline View (F9 repeatedly in Windows to toggle between). These bars are accessible in the same way as with Word 2000, which is a nice touch. Files can be exported as .RTF and .SCW, but you will either have to have Acrobat or one of the .PDF printer emulators installed to convert to .PDF for use in the Acrobat Reader. The application comes with a very comprehensive set of .PDF manuals, all fully bookmarked. These can be printed out if you prefer, and they'll look great. StoryView offers the means for anyone serious about keeping their work organised a simple and effective way to do so, and lets you keep your mind on the job of writing as opposed to time consuming and difficult to maintain card paper and pasteboard systems. Pairs up nicely with Dramatica 4.0 Pro for the complete structural approach. ... Read more | |
| 13. Dr. Format Screenwriting Software | |
![]() | (price subject to change: see help) Asin: B0002H4CCI Catlog: Software Publisher: Dr. Format Software Sales Rank: 6270 US | Canada | United Kingdom | Germany | France | Japan |
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| 14. Pinnacle Studio QuickStart | |
![]() | list price: $49.99
our price: $49.99 (price subject to change: see help) Asin: B0007VNS92 Catlog: Software Sales Rank: 7263 US | Canada | United Kingdom | Germany | France | Japan |
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| 15. Final Draft AV2 | |
![]() | list price: $179.99
our price: $179.99 (price subject to change: see help) Asin: B00008XOGR Catlog: Software Publisher: Final Draft Sales Rank: 2772 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (23)
Final Draft 6 does it all the formating for you. A function called "SmartType" finishes off character names for you, so you don't have to keep typing in names. This is wonderful when you have two or three characters talking to each other in a string, so you can quickly type the conversation, as if it were going on in front of you. When I transferred my previous screenplays into Final Draft, it took about an hour or so to reformat a 106-page document correctly. Final Draft was able to interperate about 80% of the formatting correctly, getting confused on mostly transitions and telling the difference between some scene headings and actions. Although, it knew exactly what was dialogue just by where it was placed in the word document, which I thought was remarkable. Some of the templates for actual T.V. shows are a little silly, but they serve their purpose: giving you the raw format for a certain show, which can vary greatly depending on the series. If you have your own show you've created, you can save a blank document with the initial beginings of the script as a template and be able to have a fresh document ready for your next episode. Final Draft is a great purchase for the novice screen writer learning the format, and a wonderful time-saver for the somewhat-established to established veteran.
The big issue: Onscreen text looks atrocious. After a year on the market, Final Draft 6 still doesn't use Mac OS X's technology to render beautiful anti-aliased text. Third-party fixes, like Silk, work only halfway to solve Final Draft's shortcomings. But should an application that costs $ need fixing at all? Unacceptable. And beware of WYSIWYDG, or "What You See Is What You Don't Get." You might find the perfect font in the Font Menu, but good luck applying it to your screenplay. Worse, there are occasional text hiccups, where the text-rendering is garbled and screen redrawing is skewed. 'Authorization' remains a nuisance, too. (Bet you didn't remember to 'deauthorize''before a system reinstall or upgrade.) I know of no other software that requires such an unwieldy process just to stay running smoothly. Final Draft 6 is still better than a typewriter or a standard word processor for writing scripts, but not by much. Considering the steep price, maybe it's time to revisit the competition.
I am a VERY basic computer user and feared formatting software would be nothing short of a nightmare, but within a month I formatted three one-hour teleplays, started on a screenplay, and knew how to navigate the software fairly well. The Smart-type feature is a lifesaver, and the various view, outline, and report features are incredibly helpful and save loads of time. There are a few features that were more complicated to learn, and as an absolute novice I had some questions that I couldn't find answers for in the program, but overall - I'm thrilled with it and use it everyday. I'd recommend this software to anyone, rank amateur or paid professional ,who's looking for a user-friendly, helpful, and reliable formatting system.
Don't mess around with other programs. This one is the one to use. ... Read more | |
| 16. Omnioutliner Pro 3.0 (Mac) | |
![]() | list price: $69.99
our price: $64.99 (price subject to change: see help) Asin: B0007Z70WY Catlog: Software Manufacturer: CSDC Sales Rank: 10248 US | Canada | United Kingdom | Germany | France | Japan |
| 17. Movie Forms Pro | |
![]() | (price subject to change: see help) Asin: B00009OYBN Catlog: Software Publisher: B & G Designs Sales Rank: 5835 US | Canada | United Kingdom | Germany | France | Japan |
| 18. What Rhymes? | |
![]() | list price: $17.99
our price: $17.99 (price subject to change: see help) Asin: B000205HCE Catlog: Software Publisher: Global Marketing Partners Sales Rank: 5621 US | Canada | United Kingdom | Germany | France | Japan |
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Features | |
| 19. Movie Magic Screenwriter With Free Book "The Screenwriter's Bible" | |
![]() | list price: $249.99
our price: $171.99 (price subject to change: see help) Asin: B00005V7HB Catlog: Software Publisher: Write Brothers Sales Rank: 322 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Product Description Reviews (6)
It makes the formatting a breeze. Most of the changes in formatting are done simply by hitting tab or enter at the end of a line. And all the formatting is completely customizable. So you can decide what you want to bold or caps if you like making your writer's drafts a little different from standard. It also imports from a bevy of other formats extremely well. So if you have screenplay's you've already written in Word or Word Perfect it's no problem. You can have it print your screenplay to PDF, collaborate with a fellow screenwriter online, use the index card view to outline and plot out your screenplay. It's awesome. Whenever in the past I encountered bugs and reported them to tech support they've been quick to respond and I've seen the problem fixed in free updates. Try the demo, unlike Final Draft's Demo it lets you save so any work you put into a screenplay won't be lost when you decide to buy Movie Magic.
Movie magic will also allow the user to have their screenplay as formally or as skeletally formatted as the user wishes by using the Edit > Format property sheet. So if anyone doesn't want to have (continued) continued for action breaking across a page they can exclude or include that particular formatting detail. They can also switch off and on as many toolbars and speedbars as they wish. So you can have the application window all 'bells and whistles' or as skinny as possible. It is a good idea to spend some time with the Edit > Format page and Printer Setup page to get a better insight to Movie Magic's flexibility. And users should keep up to date with the latest upgrades - for free to registered users - to avail themselves of any improvements to performance and elimination of bugs.
So, for a more pleasing screenwriting experience, Screenwriter 2000 is a better choice.
Screenwriter 2000 enables you to create script-documents based on a number of pre-formatted templates, which respond to a set of hotkeys, mostly Tab and Enter, in order to conveniently place text in the appropriate place for screenplays, stage plays, etc. You can also use Screenwriter 2000 as a you would normally use a word processor, since it has spell checking and font formatting features. Custom templates can be created from scratch, or by modifying those installed. The format set-up property sheet / control panel is well thought out, access to all the parameters needed are from that screen, there being no need for jumping from one dialog box to another. The primary interface is usefully uncluttered, and is switchable between standard Microsoft Word view and its own. Not that there's a lot of difference, but it could be a comfort factor if you're used to Word. Import and file save-as options are very comprehensive. But you'll mostly be saving as a SCW file, a PDF for distribution and printing from outside of Screenwriter, and RTF for those who don't have Screenwriter and need an editable draft. Pasting a previously created script with the correct formatting from an RTF will result in Screenwriter applying the correct tags to the copied text, so that you don't need to worry about having to re-do the script in Screenwriter. The only distraction that I encountered was in Dialogue text. In Screenwriter 2000 you have to insert a specific line-break to avoid the enter key splitting the dialogue with the ( more ) and Joe Blow ( cont't ) tags as if you were crossing a page-break. This can be done by going Edit > Add Dialogue Paragraph or using Ctrl+Alt +D. The index cards are directly editable, which might be useful, but you are warned that some of the features used in the main editing window will be lost. Warnings of this type abound, so you're unlikely to do anything disastrous if you heed them. Screenwriter 2000 is a great product for writing scripts which will keep their formatting automatically updated as you proceed, revise, and amend. It should also be borne in mind that Screenwriter 2000 is part of a suite of products, which will allow you cover many aspects of the production process beyond the screenplay. ... Read more | |
| 20. Movie Magic Screenwriter with Chris Vogler’s book, “The Writer’s Journey” | |
![]() | list price: $259.99
our price: $259.99 (price subject to change: see help) Asin: B0006Q0DS2 Catlog: Software Publisher: Write Brothers Sales Rank: 6348 US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Review This program automatically formats your script, putting character names, sceneheadings, and action in the appropriate places. It also does a good job of gues sing what you want once you've started writing: filling in a character's name a fter you've hit the first letter or automatically attending to details such aspagination, MOREs, and other script-writing tasks. Program creators added templates from actual television-show scripts, so writer s can get a glimpse of formatting for everything from Friends to King of the Hi ll, an invaluable tool for writing spec scripts or just peeking into the workin g mechanisms of Tinseltown. There are 50 partial scripts in all. Extra bonus--u se this program to name your baby after you're done writing a masterpiece. Movi e Magic Screenwriter contains the most comprehensive name bank we've ever seen:first names from Abramo to Zola, and every surname imaginable. This program also allows online collaboration, via voice or text, and can publi sh scripts on the Internet. There's a production-scheduling function and revisi on options should your work make it into production. Finally, one old-fashionedtouch that we found rather charming in this high-tech, "does everything for yo u" screenwriting program: it can print directly onto index cards (provided) forwriters who prefer to order their scenes like they did in the good old days be fore computers did everything for us. --Anne Erickson Features | |
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